CCM Magazine assistant editor Lindsay Williams posted a challenge to musicians – of which I was included - to submit an anecdote about my favorite instrument and how I got it. The winner of the blog will appear in CCM Magazine. I was thankful for the challenge, if only to write something worthwhile! Check it out and if you choose to comment, it would be really awesome if you did it here AND at the CCM site:
www.myccm.org/angelajosephine/blog
“I have been my whole life a bell, and never knew it until at that moment I was lifted and struck.” - Annie Dillard, Pulitzer Prize Winner for Pilgrim at Tinker Creek, 1975
I was driving down the road many slivered moons ago, blissfully minding my own darn business, when the Rich Mullin’s song Calling Out Your Name came on the radio and in one fury of a pheasant’s wing (because there are no grouse in Michigan) my life was effectively sideswiped. I guess you could call it my Damascus Road experience and how I got home after that blinding episode is beyond me. All I knew was that if the scales were ever going to fall from my eyes, I had to find my Ananias, which turned out to be an album called, “The World As Best As I Remember It – Volume One”. I also knew that I’d eventually have to get whatever the heck instrument this guy was playing. Never mind that I had no idea who Rich Mullins was or where to begin looking for him. I began by going to my favorite store because I was convinced they carried all the music that counted, but they kept asking me if I meant S h a a a w n Mullins and they said it in a long, drawn-out way like I was some idiot who’d lost her mind on the way there. Up until that point, a Christian bookstore was another planet I had yet to set foot on.
Even so, the album was by far an easier thing to come by than that elusive instrument that God used to lift and strike me. By my own estimation, two instruments had gotten married and given birth to a perfect Middle Eastern child with an Irish brogue. If I couldn’t produce such a miracle on my own behalf, I was willing to adopt. Little did I know that I would spend the next ten years slaving to learn to play piano, guitar and mountain dulcimer, forging an independent music career in the process, before I would actually get the one instrument I had longed for - a hammered dulcimer.
The story of actually GETTING the hammered dulcimer isn’t that remarkable in the way that some stories go. In fact, it’s ridiculously simple and embarrassingly obvious along the lines of, “Why didn’t I think of that?” One day, my husband – of whom I am convinced, is a genius - handed me some information about a dulcimer festival in Evart, MI and said, “Why don’t you just go and buy a hammered dulcimer?” Was he kidding? I mean, wasn’t it supposed to fall out of the sky or arrive in a burning bush or something?
So I went to the festival and met a guy named Dave. The first song he played for me was one of Rich’s and I guess that was the closest thing I was going to get to a burning bush. He told me that if I was looking for a great instrument I should check out the ones made by Bob Tack. I found Bob in the merchandise tent. When he began to play this one in particular, the heavens parted and I recognized that ringing. It matched the one that had been echoing in my heart for over ten years.
So, I bought it.
Now, I am not a gear guru so don’t expect me to remember things like how many strings there are (there are a LOT of them and yes, I have to tune them ALL) or what kind of wood it’s made of (but it IS so pretty).
These are the kinds of thing I remember.
I remember Bob.
I was in Nashville recording Grace Exhaled when the news came that Bob passed away unexpectedly. I had just gotten done in a session with my producer and decided there were questions that needed answering and next to God, there was none other than Bob who could answer them. Bob had become used to my endless barrage of questions that eventually all added up to the same exact question, “Are you sure I’ll be able to sort this thing out?” He assured me that I would. Apparently, he thought he’d given me all the answers I needed.
So I remember Bob and feel like a part of him lives on when I play the instrument he made with his own two hands.
I also remember that sometimes you just have to go and buy a hammered dulcimer, which is by far the best practical advice I have ever been given.
And I remember the most important thing ever. Every time I hit those strings, I am a bell and I was made to call out His name.
